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The New Yorker Valentine's cover from February 1973 — a pair of hands holding a single rose against a white ground, rendered with the illustrative economy that defined the magazine's visual identity. It's a love letter disguised as graphic design, and it works fifty years later for the same reason it worked then: it says one thing, perfectly. For a bedroom, a living room or anywhere that wants something quietly romantic without being sentimental about it.
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